Music Review (Part II)

Raised Fist

Ignoring the Guidelines

What do I know about Raised Fist, from a biographical standpoint, though? Not much. They formed in 1993; they’re from Sweden; and I haven’t been able to catch a U.S. show even though I consistently listen to any of their recorded work. Also, they’re difficult to research, and I have yet to establish any substantial connections in the underground hardcore community that might assist with that. Yet again, “researching” underground artists is sort of an oxymoron as a concept, same with the idea that there’s a cohesive underground music “community.” Still, I like reviewing underground music because the obscurity removes the distractions posed by New Historical criticism, allowing the words and music to speak for themselves. I’ve taken a paradoxical-hybrid “close reading” and “autobiographical” approach to reviewing Ignoring the Guidelines. Doesn’t mean I wouldn’t love to see Raised Fist on tour. When I follow Raised Fist on social media, watching clips from their shows and waiting for my next chance to see them, I’m just a fan.

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